Dawson House in Chesley, Ontario

So far I haven’t found an update for this house. It was put up for sale by the municipality in 2013. I found it on Google Street View but the images are from 2013, so no clue there.

It had been a museum at one time, the Chesley Heritage and Woodworking Museum. Most if it seems to be rental units now. Old buildings tend to deteriorate faster as rental units. (My brother has lived that experience with an old house he bought in Orillia).

Here are images of the Dawson house, in Chesley, from Google Maps. There are stained glass windows still remaining on most of the first floor windows. There is a mysterious bell at one side of the front of the buiding. If the town had to give up on it, there must be a lot of expensive work needed. But, it will be a shame to see this place fall down around itself.

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The Old House on the 3rd Line?

I drive by this old house about once a month on the way to visiting my brother in Orillia. It’s wasn’t an abandoned house but old and houses close to a highway interest me. They show how the roadways have progressed.

Yesterday I drove by and I had a triple look because (I’m still not 100% sure) the house was gone. I could see a wire fence around the area, over the driveway. But, there was no sign of the house. There is a chance I just missed it but, I can’t think of anything else there with a driveway. I hope I’m wrong and the house is still there. Not that it’s going to last forever but I will be sorry to see it not there any more.

These images are screen captures from Google. I never stopped to take a photograph of the house. I just thought it would continue to be there.

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Mapping a Human Presence

Original post and photos from Jessica Glasgow (explorer and photographer in Ontario). I like this post from her site and what she wrote about the old houses. I have copied it here to preserve and archive it.

I am constantly fascinated by the amount of character that a home can possess despite its essential bones of wood and concrete. Houses are not living beings, yet there is something about them that maintains a presence or aura. In a small period of time, a home can turn from a capsule for memories and place of from which we map our lives to an empty structure that becomes an arrangement of building materials. What happens after we leave?

In developing this project I hope to convey my personal fascination with the phenomena of abandoned homes and by the virtue of photographing one, map out a human presence that once occupied it. Through mapping it I hope to convey the particular flavour and aura of the house and by means of the contents left within it, begin to tell the viewer a fragmented story of it’s occupants.

Source: jessica glasgow photography: Mapping a Human Presence

How to Find a Real Haunted House

Upon Leaving WasagaThere are haunted house attractions around Halloween. There are old houses which people claim to be haunted and run tours in them. But, how do you find a real haunted house?

Start by just searching online for local ghost hunters, paranormal researchers, paranormal societies, and anyone offering tours of your city or town. You might find a local ghost walk or haunted tour, if your town or city is big enough to have some tourist businesses.

The local museum and library will also know about houses in your area which have a history of ghosts and hauntings.

Look for online networks with people who photograph old houses, haunted houses or historical places. You can find a haunted house by networking with other people who are exploring, looking for the same things you are. (Urban exploration is a good way to find abandoned and/ or real haunted houses).

How to Stay in a Haunted House

First, decide if you really do want to do this. If you tend to easily freak yourself out, this probably isn’t a good idea for you. It’s too easy to convince yourself there is a ghost, either because you want there to be ghost or you just enjoy scaring yourself in some way.

Don’t go alone. For one thing, you will appreciate having a witness if you do find ghosts or something haunted. It’s also great to have a second opinion about everything you see. Not everything is a ghost just because you don’t know how to explain it.

Bring all the gear you need to navigate around. If you go at night, traditional but less sensible, bring a flash light.

Don’t forget to enjoy yourself.

You may get a spooky feeling, but isn’t that what you were looking for? Don’t forget the objective. If you’re frightened, calm down. Become more analytical than emotional. Think of yourself as a scientist.

Keep notes about what you see, feel and hear. Take along a digital camera.

Make plans for doing something afterwards. Get a coffee along the way home. Give yourself a time and place to wind down.

How do Places Become Haunted?

There are places you would expect to draw ghosts, or keep them. Places like hotels, hospitals and prisons, where tragedies, dramas and big, life changing events and crowds of people hustling and bustling through – those are the places you would think to find a few ghosts haunting the building and the grounds.

Yet, some common, every day and random places can be haunted, or have people who have seen something, felt something or reacted to something.

People leave an impact on a place, even long after they are gone and no one quite remembers what happened or who it happened to any more. That energy sticks to a place. Like walking into a room when people have been arguing, you can feel the charged atmosphere and the sudden drop when things go silent.

I think this is what haunts a place, the charge of energy and the sudden drop. It’s as if all that energies charged up, was never grounded or allowed to ease off and dissipate Instead it was frozen in place, as it waiting for something else to happen to let it release the charge.

Each place has it’s own story and it’s own mood. Just as no two people are the same, no two haunted places will be quite the same either. If you find a place you think is haunted find out what you can of the history of the place and it’s people. Don’t let what you discover bias you as you explore, however. You might only find just what you expect to find that way and completely miss something really unexpected and unusual.

Links to Get Started With

 

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More About Storybook Houses

Storybook Houses in Wikipedia.

A Storybook House refers to an architectural style popularized in the 1920s in England and America.

The storybook style is a nod toward Hollywood design technically called Provincial Revivalism and more commonly called Fairy Tale or Hansel and Gretel. A primary example can be found in the 1927 Montclair, Oakland firehouse, and in a more traditional English cottage-style in the 1930 Montclair branch library. Idora Park in north Oakland, California is a four square block storybook architecture development begun in 1927 on the grounds of the old amusement park.

The primary architects that worked in this style are: Harry Oliver, W.R. Yelland, W.W. Dixon and Carr Jones among many other local architects.
Oliver is noted for his Spadena House in Beverly Hills, and the Tam O’Shanter Inn in Los Feliz (Los Angeles).

Yelland is noted for his (Thornburg) Normandy Village and Tupper & Reed Music Store, both located in Berkeley, California. Yelland designed homes in Oakland, Piedmont, Berkeley, San Leandro, Hayward, Woodland, Modesto, Clarksburg, Sacramento, Kensington and San Francisco, California.

W.W. Dixon noted for his work with developer R.C. Hillen in creating the Dixon & Hillen catalog of homes. Dixon is noted for Stonehenge & Stoneleigh villages in Alameda as well as Picardy Drive in Oakland, California.

Carr Jones is noted for the (il Posinto Restaurant) post office in Lafayette, California. He designed and built one-of-a-kind homes in Oakland, Berkeley and Piedmont, California.

Resources:

Storybookers: A fan site for the storybook homes. Best source for information.

Storybook Homes – Homes designed in the storybook theme by Samuel and Tina Hackwell. See their group on Flickr: Storybook Homes and Gardens.

Salon: Ticky-Tacky Houses from ‘The Painter of Light’. – The links to the village sites are not working, at least not tonight.

Hendrick’s Architecture: Fun Architecture: The Storybook Style in Disneyland

Hendrick’s Architecture: Storybook Style: Hansel and Gretel Cottage

Flickr: Houses as in Fairytales International photos.
Flickr: Storybook Ranch Houses – Ranch homes from the postwar era – that are classified as Storybook Ranch houses. Ranches with Hansel & Gretel bric-a-brac.
Flickr: Storybook Suburban Architecture – The houses with a mid-century ranch structure, but adorned in quaintness and Olde Worlde pastiche.
Flickr: Whimsical Architecture
Flickr: Cottage in the Woods
Flickr: Arquitectura Fantastica Mundial
Flickr: Fantasy Vintage Home – Illustrations.

Screen captures from Fiddlers Green, a well done post about storybook houses.

From Storybookers:

COMMON FEATURES OF STORYBOOK ARCHITECTURE

Some of the terms used below are a bit technical; an illustrated glossary of terms related to storybook architecture will be added to this page in the near future.

CONSTRUCTION: Predominately stucco (often roughly troweled), frequently with half-timbering (often curved); use of rubble stone, crazed brick, and clinker brick are common; all-stone, all-brick, and all-wood construction are sometimes used. Turrets with conical roofs are a common feature, as are faux dovecotes.

WALLS: Often sloped or curving; almost never square or rectangular; wing walls are not uncommon.

ROOFLINES: Always curved in some way—swaybacked, sagged, concave, undulating or sharply pointed; never flat and seemingly never of the straight- and equal-sided triangular form; gables are usually jerkinhead or very sharply pointed; eaves are often rolled; use of catslides is common.

ROOFING MATERIALS: Most often wooden shingles, wooden shakes, or slate laid down in a seawave or other intentionally irregular pattern; though the original materials have frequently been replaced over time, the irregular pattern is sometimes imitated in the more modern material.

DOORS: Round-topped or batten (occasionally both), often with a peek-a-boo; doors are frequently set in an arched doorway lined with stone; when turret is present, the building’s front door typically opens into this.

WINDOWS: Sometimes wood-framed but often steel-framed (presumably to more closely resemble medieval windows); on older homes, the glass (unless replaced) is leaded or wavy; figural insets of stained glass are not uncommon.

CHIMNEYS: Chimneys are seldom regular in appearance; most feature a combination of stucco and seemingly haphazardly-placed stone or brick.

IRONWORK: Wrought iron door hinges, handles, knockers, and locksets are common, as are other wrought iron embellishments.

OTHER: Most storybook structures are fairly small, though many make use of deceptive perspective to trick the eye into perceiving them as being larger than they really are; larger storybooks are often constructed to appear as though built up gradually over time, one addition at a time. All (or nearly all) are based upon a fanciful interpretation of medieval European homes; a number of the true masterworks have been artificially and intentionally aged, lending them the appearance of structures built centuries in the past.

LOCATION: As befits their faux-rural heritage, many storybook homes are surrounded by trees and shrubbery; as most were constructed in the 1920s and 1930s, the greenery can conceal these structures from the casual observer.