NetAppVoice: When Are You Going To Die? [100 Words Into The Future] – Forbes

In the future, healthcare is tailored—to an individual’s genetics—so lives last longer than ever.

For most people, their data gets added to their family history and turned into a medical blueprint for life-prolonging care.

via NetAppVoice: When Are You Going To Die? [100 Words Into The Future] – Forbes.

This makes me think of ‘Logan’s Run’. Everyone was expected to be put to death at age 30. Of course, it wasn’t thought of quite that way, but…

How far is it from having your health all mapped out, the expected risks projected and cured and then the problem of too many people and not enough of them leaving the planet…

Over population is something I think about a lot. But, there’s also just the thought of living side by side with a city full (over full) of people. Where do you find some space to think, to just be alone?

NetAppVoice: Scratch The Surface And We’re All Paleo Animals [100 Words Into The Future] – Forbes

“The flavor module in my RepliCater 9000 is fried and the print head’s gone. All I’m getting is tasteless goop.”

“I’m sorry to hear you are having problems with your RepliCater unit. I’ve scheduled a service call within 72 hours. Can you access any whole foods?”

Three days without real food? Outrageous! What do they think he is? An animal?

via NetAppVoice: Scratch The Surface And We’re All Paleo Animals [100 Words Into The Future] – Forbes.

The processed food fad is more than a fad. Yet, I wonder if we will end up not having fast food as we see it now but artificial food such as that created for astronauts. Food which contains the ‘right’ ingredients, processed and preserved to last for years, decades even. All the body needs without the actual need to chew. What did we really need all those teeth for anyway?

Should you Post a Disclaimer with your Urbex Photos?

I know several others with urban exploration sites and photos will post a warning or disclaimer to the general public. I don’t have one, yet. I should, for legal reasons. Personally, I think people are responsible for their own actions and should have the brain power to understand basic human concepts like danger, risk and damages. Of course, I would not like to think someone viewed my photos and then charged in to something they later regretted. So, in the long run, a disclaimer seems like a good idea.

I’ve read a lot of urbex disclaimers. They come in a variety of styles, messages and colours. Most are dark, like this one below. Dark in colour, if not in context. I thought I would collect a few and then decide what I want to say when I write my own. But, one thing I will add to mine will be geared to those who only want to vandalize or salvage old and abandoned places.

People may completely ignore your disclaimer. Likely the only ones who do read them are explorers who are already aware and cautious. The types who jump in feet first tend to read warnings only upon landing in hot water. disclaimer

Source: Abandoned Steve

How to Photograph Ruins

Your goal is to capture the romance and nostalgic feeling that is often associated with these former structures and not so much on their tourist appeal since most major tourist ruins have been photographed to death.

Photograph your subjects from various angles, perspectives and by day and by night. Using flash will be required at night and a diffuser will probably be handy during the day. It is always better to photograph when you have a diffused ambient light condition such as when the sky is overcast.

If you take a photograph of a rock structure upon which there are some reliefs during the midday sun and when the sun is about to fade or even at dawn you will see much more detail and the reliefs will be easier to admire during dawn,dusk or when overcast.

Midday sun light creates a “washed out” effect and most details will be hard to distinguish not to mention a noticeable lack of visible texture. This is why photographing while the light is diffused makes sense to most photographers.

Also, don’t just focus of capturing images of the subject’s exteriors include aspects of the interiors whenever possible and safe to do. Take long shots, wide angles, close ups and include elements of the surrounding scenery to put into perspectives the location where your subject is located.

A lot of photographers like to include the human element in their ruins photography, I do not since if I wanted to take photos of people I would do it under another theme. I just want to concentrate on the ruins themselves and allow my viewers to immerse themselves in the images before their eyes. This will often lead them to imagine the history of the place without the interference of modern details.

A good staring point to ask yourself is “what photograph can I take that will let others feel as I felt “. Seek more than ordinary pictures. Instead capture photographs that invoke a feeling instead of photographs that just look pretty.

via How to Photograph Ruins.