Restoration for Ghost Signs

            Should <a class="expresscurate_contentTags" href="http://wreckyratbird.com/tag/ghost-signs/">#ghost signs</a> be restored? It gives me a funny feeling, as if something important is being lost, or faked or ruined in some way. I don't think a ghost sign can be restored perfectly. Even if it can be, should it be? Does it lose it's history when we try to restore it. Like patina on antiques, is a ghost sign something which keeps value once it gets updated or cleaned?

Eddy’s Bread Ghost Sign Restoration Project

Salisbury, NC Ghost Sign Restoration Project

Sundial and Stardial Pendants | ThinkGeek

sun dial star dial

via – Sundial and Stardial Pendants | ThinkGeek.

It may not be as accurate as modern technology but it is interesting to use historical technology and… you wouldn’t have to buy batteries (or recycle batteries).

I can’t wear a battery operated watch. For some reason the batteries die within a week or two. I was looking for a mechanical watch. So far I haven’t found just the right one. This would be interesting but… the reviews say it isn’t very accurate. Still tempting to try it though.

Vestigial Architecture

I was fascinated by this recent podcast and article over at 99% Invisible about “Thomassons,” architectural elements on structures or properties that no longer have a function and yet are maintained. These architectural leftovers–stairways leading to nowhere, boarded-up or bricked-up windows, telephone poles that no longer carry lines–are named after Gary Thomasson, an American baseball player who played for the Yomiuri Giants in Tokyo, Japan in the early 1980s. Thomasson was paid exorbitant amount of money for a two year contract, but lost his game in Tokyo and was benched for much of his contract (i.e. he had no function, but was maintained…ouch).

via Thomassons: Vestigial Architecture | Rust Belt Anthro.

How to Photograph Ruins

Your goal is to capture the romance and nostalgic feeling that is often associated with these former structures and not so much on their tourist appeal since most major tourist ruins have been photographed to death.

Photograph your subjects from various angles, perspectives and by day and by night. Using flash will be required at night and a diffuser will probably be handy during the day. It is always better to photograph when you have a diffused ambient light condition such as when the sky is overcast.

If you take a photograph of a rock structure upon which there are some reliefs during the midday sun and when the sun is about to fade or even at dawn you will see much more detail and the reliefs will be easier to admire during dawn,dusk or when overcast.

Midday sun light creates a "washed out" effect and most details will be hard to distinguish not to mention a noticeable lack of visible texture. This is why photographing while the light is diffused makes sense to most photographers.

Also, don’t just focus of capturing images of the subject’s exteriors include aspects of the interiors whenever possible and safe to do. Take long shots, wide angles, close ups and include elements of the surrounding scenery to put into perspectives the location where your subject is located.

A lot of photographers like to include the human element in their ruins photography, I do not since if I wanted to take photos of people I would do it under another theme. I just want to concentrate on the ruins themselves and allow my viewers to immerse themselves in the images before their eyes. This will often lead them to imagine the history of the place without the interference of modern details.

A good staring point to ask yourself is "what photograph can I take that will let others feel as I felt ". Seek more than ordinary pictures. Instead capture photographs that invoke a feeling instead of photographs that just look pretty.

via How to Photograph Ruins.