I think I wrote this before 2009. I'm not sure. I looked up the Inherited Values site with the Wayback Machine today. My friend, Deanna, created, ran, everything, the site. I wrote for her for awhile. Mostly posts about hobbies and collectibles.

I try not to gamble or collect things because I know this is a hazardous area for me. I seem to be one of those people who become obsessed with everything, at least for awhile. I also like to try almost everything – everything is fodder for my curiosity. I especially like arts, crafts and history.

On Flickr I have my photos of abandoned farm houses and many other abandoned or just old places. I have two Flickr groups: Ontario Rural Ruins and Canadian Rural Exploration.

Does the house in the photo look haunted to you? To me it has the mystery, romance and bluntness of history and craftsmanship. With a side of weathering and pure determination to survive the elements. I do have some feelings about the paranormal but I don’t look for them in an old house or building. I have yet to feel anything spooky when I explore. Though I did once shriek when I thought I had stepped on a toad in the long grass.

There are some things I collect: bone china posies, postcards and odd other things which aren’t coming to mind right now. I don’t keep them very organized or catalogued and I don’t join groups with other collectors with the idea of trading or buying more. I just like the randomness of a great find. I should have been an archaeologist, except I’m allergic to dust, mold and mildew. To me, the value of a collectible is in the finding of it as much as the beauty of it. I shop at thrift shops but not gift shops.

I love history. History I can reach out and touch is as close to time travel as I may ever get. As a Pagan (Earth Witch) I feel connected to history, it’s traditions and the foundations it has given us. The invention, ingenuity and thriftiness that early people had to develop to survive, that is what I see when I look at old objects and old buildings. I also treasure the art and crafts which have endured into the present. Objects which we no longer use and may not even know how to use any longer. Sometimes I feel a sense of loss for the road not taken and the knowledge lost to us. I like to read about odd crafts, new crafts and hobbies too as these are our own contributions to what will become history in time.

When not out taking photos of derelict farm houses I am writing on the web. My own little monster project is Word Grrls. My main site is ThatGrrl.ca. Most of my other projects link from there.

If you Twitter I am @thatgrrl. If you StumbleUpon I am thatgrrl and if you Tumblr I am also thatgrrl. Nice how that all works out.

Posting and saving information about mail art and artists. It doesn't seem like it will be around in another generation or two. Like so many interesting art forms which evolve or devolve with technology. I used to collect postcards and write letters to pen pals from all over the world. At that time I was making mail art and finding interesting things which could be sent in the mail to friends. I haven't created any mail art in awhile. I liked learning the limitations and finding what could be done to work around them or find a new idea to work with them. Like a puzzle.

MailArt 365 - Twitter - Facebook - Flickr

International Union of Mail Artists

The site for the Envelope Collective is gone and so is a page which had been on Wikipedia.

The Envelope Collective is an ongoing collaborative art project that uses mail as a medium. The Envelope Collective was founded by Garrett Miller and Adam Morse on November 3, 2005. Anyone can send anything to the Envelope Collective; people from all over the world have sent in everything from boxes of Kraft Mac and Cheese to handmade paper envelopes.

Source for the post below: Lisa Vollrath

The Art is in the Mail

The simplest definition of mail art is that it is any art that's created with the intention of sending it through the mail. Mail art can include postcards, faux postage, decorated envelopes, friendship books, and the ever popular naked mail. If you have to mail it to complete the creative experience, it's mail art!

Mail Art Culture

When it comes to the making of mail art, there are very few rules. However, most mail art projects have these similarities:

• No money exchanges hands. In general, mail art is exchanged between artists, not bought and sold. There aren't usually fees involved to participate in mail art projects.
• Mail art is given freely, without the expectation of something in return.
• No judgements are made about the artwork or its quality. You get what you get.
• Once the envelope has been dropped into the mail, forget about it.

Postcards

Postcards are probably the most popular form of mail art. Handmade, altered, or trash postcards are often exchanged between mail artists, either one on one, or in organized swaps or exchanges. Perhaps postcards are so popular because they are already a type of mail, and are so easily sent, without packaging, and with minimal postage.

Postcards are often used in mail art exhibitions, with are organized through mail art calls. The project organizer puts together a theme and a venue for display, and posts the call to creative groups focused on mail art. Interested artists mail in a postcard, to be included in the exhibition. Sometimes, they receive another postcard in return, or a visual listing of the pieces in the exhibition, known as documentation.

One of the most well-known postcard projects is Post Secret. Since 2005, the project organizer has asked readers to mail him an anonymous postcard with a secret written on it, to be posted on the Post Secret blog. Hundreds of postcards have been sent in and posted, and the project has spawned several books.

Postcrossing is a site designed for those interested in sending and receiving postcards. Rather than matching senders and receivers, the site is set up so that your postcard is assigned a number, and when your card is received and logged by the recipient, your name is put into the queue to receive the next postcard sent.

Artistamps

Artistamps go by several different names: faux postage, postoids, or cinderellas. These terms are used to describe an artist-created stamp that is not used as real postage. In fact, one of the rules of using artistamps is that they must not be substituted for real postage, or used in any way that attempts to defraud the Post Office.

Faux postage stamps are created in a variety of ways, but the most popular method to create them is using a computer for design and layout, and then either printing on paper that is pre-perforated, or perforating the printed sheets afterward. Stamps can be created in sheets or individually, or even to mimic the commemorative issues put out by the Post Office.

Decorated Envelopes

The tradition of sending decorated envelopes has long been practiced by mail artists. The envelopes themselves have evolved into their own form of mail art, often sent through the mail with little or nothing in them. Integrating the sender and recipient addresses, and the postage required to send the envelope, is often an integral part of the envelope's design.

One of the longest running decorated envelope project is The Graceful Envelope, sponsored by the Washington Calligraphers Guild. Each year since 1995, artists have decorated envelopes according to the annual theme. The best envelopes selected in several categories are put on display in Washington, DC.

Naked Mail

Sometimes known as extreme mail art, naked mail is the sending of odd items through the mail without any packaging. In my years as a mail artist, I've received beach balls, flip-flops, a plastic severed hand, a giant plastic crayon bank, a large pink piggy bank, baby bottles, and liter and two-liter bottles filled with all manner of items.

One of the objects of naked mail is to surprise postal employees. Taking the items to the post office window to be weighed and have postage attached, and receiving the naked mail items from your regular postal carrier are part of the naked mail experience.

One of my favorite types of naked mail is the plastic bottle mailgram. A clear plastic bottle is filled with items the recipient might enjoy, and mailed without packaging. Instructions for making plastic bottle mailgrams that fill easily, and will pass through most US post offices are posted here at Go Make Something.

Artist Trading Cards

Artist trading cards, or ATCs, are small-format artworks exchanged between artists. Unlike other types of mail art, artist trading cards do have a few rules. They must be created on a 2-1/2" x 3-1/2" surface, and must fit into a trading card sleeve, which is a clear pocket designed to hold baseball trading cards.

Although artist trading cards originated as a way for artists to meet face-to-face to exchange work, with the rise of the Internet came endless numbers of groups where artists can exchange cards by mail. One of the largest groups online focused on exchanging artist trading cards is ATCsForAll, where you'll find dozens of open swaps at any given time, and thousands of people willing to do a one-on-one exchange.

Trashpo

Trashpo is short for trash poetry, a concept that originated with visual poet Jim Leftwich. In 2005, Leftwich dumped a wastebasket onto a scanner, and posted photos of the random poetry this created. Trashpo is a form of visual poetry, based on random, found arrangements of letters, words, and images. In its very broadest sense, trashpo is art made from garbage.

The trashpo community has its own words to describe the types of work this concept has spawned, and they are as unique as the artists who create them. For example:

• Cerealism is trashpo made from cereal boxes.
• Listpo is list poetry made using found lists, like shopping lists.
• Scannerbed composition is a method of creating trashpo by dumping trash on a scanner and scanning it.

IUOMA

The International Union of Mail Artists (IUOMA) was founded in 1988 by Dutch artist Ruud Janssen. IUOMA has been the center of the online mail art universe for many years, moving from site to site, but keeping many of the same core members and ideals. There are currently over 3,500 members online, and the web site is one of the largest repositories of mail art calls and images of mail art. New members are welcomed heartily, and there is no charge to join or participate in the many projects going at any given time.

Mail Art on the Internet

Examples of various types of mail art are abundant online, but seem to move around and disappear quickly. This collection of sites represents the links I was able to capture the last time this page was updated:

• Mail Me Art is a mail art documentation project. Viewers send mail art, and the recipient blogs what has been received. The project has spawned several exhibitions.
• The Mail Art Pool on Flickr has gone silent in recent years, but people are still adding their photos to the pool.
• The Electronic Museum of Mail Art has several galleries of mail art, including a small collection of artistamps by various artists.
• Com`post Mail Art displays the work of German artists who have participated in mail art projects for over 20 year. There isn't much text to describe the collections, but there are lots of photos.
• 1000 Journals was an art journal project that happened by mail. The project's originator sent out 1000 blank journals, and they were passed around using an online queue system. The project is finished, but the photos of journals remain posted.
• Mail Art Projects is a blog maintained by 100 members of IUOMA. It posts mail art calls from all over the world.

Part of getting old seems to be seeing the things you love become extinct. Tea cups and saucers, clocks, books, hand sewing and embroidery, hand written letters, postcards, birthday cards, silver sets, so many things disappearing or becoming unwanted by the younger generations as they come along with new technology.

But, I notice the old things I love still last longer than the new things coming along. Maybe not in purpose but in strength and durability. New technology is made to break and be replaced. Can it be loved like the old things when it isn't made to last? I don't think there is enough time before a new one is needed and the old hits the landfill.

Geomancy interests me because I especially like rocks, stones, and even pebbles (rocks you can hold in your hand or put in your pocket). Stone is like a hard, cold fact with a very long history, by our human standards. You can find rocks, or stones, in a lot of good places: the beach, the forest, the side of the road. You know, you've seen them. I don't pick up rocks/stones which belong somewhere, like someone's yard. Is it silly to feel they have a home there and shouldn't be taken? Maybe, but that's how I feel.

I haven't tried geomancy in an official way, not to read the future. I just enjoy stones. I keep them around, in my bedroom (give them a little clean up if you bring them indoors), outside in the yard and the garden we have a lot of rocks. They make great pets, if you feel the need for dependable companionship with few needs, like grooming or feeding. You can make a little house for them, if you like. I like just having a few good rocks around.

At most, I use a stone to point me in a new direction. Just warm it up in your hand for a bit and see where it falls as you turn around (slowly, give the stone a little time and don't make yourself dizzy).

You could find other ways to use stones as a do-it-yourself divination. I think you need to have some connection to the stones, at least liking them for their history, their shape, colour, usefulness, connection to the Earth... something. Otherwise you may as well be completely random. I think divination works due to at least some belief in fate. Some idea that outside things can influence you, the world in general.

Geomancy is divination using stones. I find most divination has a lot of rules but essentially the whole thing is about how you feel looking at the cards, entrails (not for me) rocks, etc. At least that's what it used to be. People do have a way of taking something simple and making it a huge complicated knot they can make some money out of.

A system of divination that employs the scattering of pebbles, grains of sand, or seeds on the earth and then the interpretation of their shape and position.

I especially like this description, from The Mystica site. The site has been taken over and just posts click bait now. No sign of the original post I read this from.

Geomancers are spiritual ecologists. (Found on a group no longer online).

It's not feng shui, and it doesn't have anything to do with ley lines or dowsing. It's been called earth astrology, a Western equivalent of the I Ching, and the forgotten oracle of the Western world. It was one of the most popular systems of divination in the Middle Ages and Renaissance, and stands at the center of traditions of magic, philosophy, and initiation deeply relevant to today. What is it? Geomancy.

Geomancy is a traditional art of divination that uses the sixteen geomantic figures – patterns of single and double dots – to explore the mysteries of past, present and future. As a branch of the Hermetic tradition, an ancient Western system of spiritual transformation and magical philosophy and practice, it relies on the fundamental Hermetic law, the unity of the macrocosm (the universe around us) and the microcosm (the universe within us) to open up hidden potentials for knowledge, wisdom, and power and, in the words of the legendary Hermes Trismegistus, “perform the miracles of the One Thing.”

Quote Source - Collegium Geomanticum

• The Geomancy Group - An association of practicing geomancers and other like-minded folk over the UK.
• Land and Spirit - History of Geomancy – A Long Time Ago

Geomancy, a compound of Greek roots denoting "earth divination", was originally used to mean methods of divination that interpret geographic features, markings on the ground, or the patterns formed by soil, rocks, or sand. Its definition has expanded over time (along with the recognized definition of the suffix -mancy), to include any spiritual, metaphysical, or pseudoscientific practice that is related to the Earth. In recent times the term has been applied to a wide range of other occult and fringe activities, including Earth mysteries and the introduction of ley lines and Bau-Biologie [de].

Geomancy was a common, and cross cultural, forms of divination in premodern times. In regards to Africa and Europe, it was considered a forbidden practice by various Christians and Muslims across the medieval era. In other regions and cultures, geomancy practices include Sikidy and Ifá (found in Africa), I Ching and Feng shui (found in China), Kumalak (found in parts of Central Asia), Vastu shastra (in India), Kahuna kuhikuhipu'uone (in Ancient Hawai'i).

Quoted from Wikipedia.

All of that should give you a starting point, if you want to learn more about the 'rules' for geomancy as a method of divination. Or, you can just enjoy having more rocks around.