Tis the season for driving along country lanes and finding apple trees loaded with fresh fruit, never picked. Kind of sad those trees that grow forgotten along the road. Once they would have been picked, the apples used in pies or eaten right off the tree. Now people just drive on by and only notice them in passing. Yet those are our history, our heritage.
Next time you see an apple tree stop and pick a few. Some may be bug eaten, but some of the brown patches are only places where it rubbed on the tree branch and not anything you can’t just peel away. It may be the best apple you have ever had, if you give them a chance. Of those I picked almost all were edible, not bug eaten as I expected they would be. One was especially delicious. It’s a shame I don’t know what kind of apple tree it came from.
Would you grow an apple from seed? Have you ever grown a plant from seed? Why not try one, even something tropical or exotic and have it grow by your writing space. Keep your seedling company and let it inspire you with something fresh and growing where you work.
“It makes no difference how long ago someone died. We are their living relatives.” – Emma Restall Orr
I read a post by Anna the Imp, Sacred Ancestors. This is an issue I have thought about before. Mainly, is it ok (morally correct) to move, display or physically analyze historical dead bodies. At what point does respect for the dead come into scientific research?
Honouring the Ancient Dead a British initiative that advocates respect for what are commonly called ‘human remains’ and their related funereal artefacts.
This is what Ana wrote:
There was a story in the Telegraph and the Guardian yesterday concerning the display of ancient human remains in museums. They report the findings of a new book by Dr Tiffany Jones that museums are removing or partially covering mummies, skeletons and other human remains for fear of protests by neo-pagan organisations, the chief among which seems to be Honouring the Ancient Dead (HAD), an advocacy group founded by Emma Restall Orr, a neo-druid, poet and author.
There is certainly considerable sensitivity over this issue, particularly when some of the remains in question were removed from traditional burial grounds without consultation, something that might be defined as anthropological imperialism, a corollary of political imperialism. Many of these artefacts have subsequently been returned to the rightful communities
But is it right to be equally concerned over remains such as mummies and bog bodies, where no cultural or tribal continuity can be established? The examination of such things is, after all, an essential part of archaeological research, helping to establish a better understanding of the past, of past lives and past cultures.
Speaking personally I approach this question from two dimensions. As a scholar and as a historian I have to welcome anything that throws a greater light on the past, which I love. As a pagan, as an admirer of the ancient ways and ancient customs, I believe that we have to approach human remains, the remains of our ancestors, with a high degree of sensitivity. How could I possibly celebrate Samhain (Halloween) and not feel a link with the spirits of the dead, no matter how ancient?
Sensitivity, that’s the key word, to show things always in context, not to display the dead, many of whom were buried with reverence, simply to be gawped at as objects of idle curiosity. After all, how would you feel if your own ancestors were taken from consecrated ground and put on public display? Ah, but time, the removal of time, excuses such things, does it not? Perhaps, then again, perhaps not.
I've copied and posted Ana's thoughts because it's from an old blog which could disappear. I like what she wrote.
Myself, it makes me think about older photographs, movies or TV shows. Everyone is in black and white. So, we don't see them in colour, or think of them as being people who lived their lives in colour. They seem less real. Of course, logically, we know all those people lived in colour, just as we do now. But, it takes extra brain power to think of them as being people like ourselves, every day in colour, not someone from an old photograph or movie, lost in time.
I found a group online about keeping the old railroads running, not just one in particular but all of them around the world. It wasn't a hugely active site but I agreed with the idea. Not only do we already have (or still have some) of the original tracks but railways aren't just an alternative or romantic way to travel. The modern trains are fast and use less fossil fuels.
Today I found an online magazine about graffiti in Eastern Europe with a campaign #SavetheSteel and images of streetcars on coffee mugs. One reminds me of the streetcars as I remember them in Toronto when I was skipping school to go downtown for the day instead. Traveling by TTC bus, subway and sometimes the streetcars too. There were no streetcars in my area, only when I was right downtown in Toronto.
#SavetheSteel from Concrete magazine.
I tried to find the railroad group I remember, but I don't know the exact name any more. I hope its in an old post somewhere. I haven't got all of them back online yet. Meanwhile, I did find a few other links worth keeping. I hope the Canadian group is more active than it looks. I'll send them a note.
Heritage exploration on the Prairies. From ghost towns to hospitals and everything in between, our focus is documenting sites through historical research, photography, videography, and drone footage.
We specialize in abandoned photography across Saskatchewan.
I have a deep connection to forgotten spaces - remnants of the past in the vast expanse of the Saskatchewan landscape. Chasing Yesterday Photography embodies a quest for memory, history, and the beauty found in the forgotten, all intricately tied to the endless skies of the prairie. It’s about the stories waiting to be discovered and shared.
