Some books, once read, stick with you for the rest of your life whether you like it or not. I can think of a few which won't leave my mind alone. 'The Most Dangerous Game' (written by Richard Connell) is one of them.

Others include 'We Have Always Lived in the Castle' and 'The Lottery', both by Shirley Jackson and 'The Monkey's Paw' (written by W. W. Jacobs) which was a short story I read from a book I found at my Grandparent's house a very long time ago. I still remember the sick feeling of wondering what was at the door. If you have never read it and want a good short story, give it a try.

Did you Read "The Most Dangerous Game"?

'The Most Dangerous Game' is about hunters and being hunted. Which do you think is the most dangerous animal to hunt? Lions, tigers and bears... oh my! Not any of those, according to the book. I don't want to give away the story for anyone who doesn't already know it. But, I can say there has never been an adventure quite like the chase which goes on in this book. The ending leaves you guessing, unless you choose to assume things ended in a better way and leave it at that.

You don't need to be into hunting to enjoy this book. If enjoy is quite the right word. It is not a story for children, though it was a story we were required to read when I was a school kid. The story impacted me - I didn't stay up late to sneak downstairs and watch horror on TV as my brother and one of my sisters did. I liked to avoid the gruesome stuff. I still do. But, there are some stories you need to read, some ideas which should be explored, or at least tempted a little. Not that I'm taking up hunting, not as a sport, not after having read 'The Most Dangerous Game' at least once in my life.

I'm not sure why but I get a lot of ideas for fiction stories which I seldom write. They just come as bursts of ideas without enough steam for a long form. I try to build onto them and find a beginning, grow the middle and then give them an ending. But, by then the steam has evaporated and the story is mostly gone, or no longer seems important or worth writing.

Today, the old song "Take All of Me" came into my head and later, as I was washing dishes, this story shaped itself. This time I wrote it down, in short form. I'd guess its a horror story, but I'm not sure.

Taking All of Her

So then I chopped off her other foot. Then, when she could no longer stand, clinging to me, leaning on me and unable to leave me now for sure, I no longer wanted her. So I went back to the huge furnace in the industrial plant, and I asked it, "What can I do with her now, when she is no longer beautiful, when I no longer enjoy watching her even?" The furnace said to bring her there and throw her in. Her bones would melt and become part of skyscrapers being built, trucks used to build them and no one would ever blame me.

Written by Laura Brown February, 19, 2025

The words "never seen again" are the creepiest phrase I've ever heard. They show up in childhood fantasy tales, as well as horror stories. So any story, fiction or fact, with those words haunts me. They are creepy and fascinating and a mystery usually not solved.

I turned on Tubi and watched a few episodes of Beyond Belief: Fact or Fiction last night. One of the episodes, 'The Kid in the Closet', was about a boy with a monster in his closet. His older brother teased him about it and then, to prove there was no monster, he went into the closet and shut the door. They heard him making a ruckus, yelling and banging at the door, then it went quiet. The Mother came in to see what was going on. She opened the closet, no one was inside. No older brother. But, his shoes and a pile of the clothes he had been wearing were there, without him.

Police were called, inspected the closet and found no way for him to get out. At the end of the episode they said he was never seen again and claimed this story is based on a true event.

Any time someone is never seen again is creepy. The police thought the boy had run away. On the show they left that sort of hanging, but doubtful. Also, the police had not found any way he would have gotten out of the closet, other than the door. His clothes and shoes were left in the closet. Those two things seem a bit odd, even after I found out more.

It turns out, according to the source I found after a bit of a search, that the boy did run away. So, how did he get out of the closet? The police didn't notice the ceiling panel when they looked? I guess he was at least wearing his underwear, the show didn't say all his clothes were left in the closet. So, it is still a little puzzle. It is possible the whole thing really is a hoax, in spite of the show saying it was fact, not fiction.

A bit of digging turns up at least one comment on the show’s IMDB message board, posted on February 12, 2008, in which the commenter shared her correspondence with someone who had worked on Beyond Belief and knew the actual truth:

“The Beyond Belief: fact or fiction story about the monster in the kid’s closet was based on an actual event that I personally investigated,” she was told. “At the time it happened there was no explanation for the boy’s disappearance— until two weeks later when it was learned that he had climbed out of the closet through a ceiling panel and ran away from home. He stayed at a friend’s house surreptitiously until the friend’s mother discovered him hiding in the attic of their home and exposed the ruse.”

The show’s producer wouldn’t discover this very important detail until it was far too late.

Source: Stranger Dimensions - Beyond Belief: The Kid in the Closet

I began reading the Immortality Bites series when the first paranormal romance came out in paperback at my local book store. The last three books in the Immortality Bites series have evolved from paranormal romance to the mystery genre. An interesting switch in genre while staying true to the original characters and style of the books.

Michelle Rowen is a Canadian writer, from the Toronto area. This year Michelle celebrated a ten year anniversary for heroine, the main character, Sarah Dearly. Ten years from the original idea, books published in two genres to now. Quite an accomplishment.

Finding Michelle Rowen Online

Michelle Rowen Twitter Facebook

A Quick Interview with Michelle Rowen

I was disappointed to read that you have put the Immortality Bites mystery series on the back burner. Do you have plans to keep Sarah Dearly going, maybe in another genre?

I'm very happy to hear you've enjoyed the series! I would say, more than "putting it on the back burner," that after writing about Sarah for a decade, over seven books in which she "starred," we've both come to a comfortable stopping place. I absolutely adore the paranormal mystery genre, so the future will probably include more books about a brand new main character, or perhaps I'll get the urge to revisit Sarah and Thierry one day and see where their adventures have taken them.

What was the hardest or most interesting thing about writing in the mystery genre?

I started writing in what could only be properly described as "paranormal chick-lit" when it was a hot genre back in 2006. Before too long, most paranormal readers began looking for grittier and sexier books, rather than quirky and funny. What I love about paranormal mysteries is that the "fun" stuff that I love can rise to the surface again. Mystery readers (specifically in cozy paranormals) are totally okay with talking animals, wacky spells, and sarcastic heroines -- which is what I love to write the most.

Why did you choose to write a mystery rather than science fiction, fantasy or the horror genre?

For many of the reasons stated in the last question... there's more room to explore the fun side of things that isn't entirely welcomed in other genres. Also, I will admit that Sarah is the one character I've written that stubbornly directed me in what she wanted -- probably since she's existed in my head for so long, she feels she can take such liberties. And after she got the vampire of her dreams (who, FYI, was not the guy she was originally supposed to end up with at the end of Bitten & Smitten!), she implicitly stated that now she was ready to solve some mysteries. There were always mystery and suspense elements in the original series, so it felt like a very natural evolution.

I really enjoy your writing style. What was your writing background before you became a published writer?

Thank you! It took me a while to find my voice. I spent my "wannabe a writer" years trying to write historical romances and literary fiction, to no great success or personal passion. I'd say that my love of Buffy the Vampire Slayer was a huge influence on me -- and I know it was a huge influence on many other paranormal authors. Around the same time, I discovered first person urban fantasies, in particular the earlier Anita Blake books, that helped me develop my own writing. I even wrote some fan fiction to practice, which will never, ever, ever see the light of day. grin They say write what you love to read, so that's what I tried (and still try!) to do.

What do you especially like to read yourself?

I'd love to say I read widely, but that is a goal I constantly fail at. Currently I seem to read a great deal of YA paranormal and fantasy books, almost always in first person, and...judging from my TBR shelf... not much else! I used to be a big Stephen King fan and would love to get back to his writing. And I am a major Karen Marie Moning fan who is counting down the days until the next Fever book.

What do you see as the future of paranormal novels? It seems to be a genre that's slowing down a bit.

I think, like with every "hot" genre, there is a life span to it. Paranormal has been super hot for, I'd say, twelve years now, which is quite a long time in publishing. A few years ago, I visited a bookstore to see that the shelves, particularly in the romance department, were full to overflowing with paranormals, as publishers scrambled to put out what readers were buying. Nothing can be sustained at those numbers for long, and readers' tastes change. As businesses that need to see a profit to survive, publishers will try to meet these changing interests. Luckily, now there is the option of self publishing and authors who love to write PNR can take the fates of their vampires, werewolves, or fae princes, into their own hands -- and straight to the reading public who can't find it as plentifully on the selves anymore. It's a great time to be a writer!

Reading Immortality Bites

The name Sarah means "princess" and I was expecting the character would be another of those vampire princess types who seem to have endless money and resources for shopping, beauty and fashion being a feature of the book as much as the story itself. I was very glad to be wrong.

Although fashion is part of the story it is not the focus. Instead you will find an adventure with plot twists, a strong backstory, unexpectedly likeable villains and characters you don't easily forget. The writing style flows and carries you along. I found myself unable to stop reading until after 4:00 AM when I came to the last page and all the loose ends were tied up in a fairly happy ending for most of the characters. No, not everyone gets a happy ending, some just get to carry on and maybe find themselves in another story.

The story is the thing in a book by Michelle Rowen.

Links for Christopher Moore Fans

Christopher Moore Twitter - @TheAuthorGuy Bluesky - @theauthorguy Christopher Moore's Blog

You don't need to read the books of Christopher Moore in any order. I can say that from my own experience. I have read them in no order what so ever.

I read "The Stupidest Angel" first. I thought it might be a funny Christmas story so I added it to my over night bag when I visited my brother over the Christmas holidays (about 3 years ago). Sure, it was in the holiday theme.

I would not now claim it as a family friendly, warm hearted holiday tale. Don't mistake this to mean the book was anything less than great. From that first book I have searched and dug for Christopher Moore books until I have now read all but 3 of them (I've started reading Lamb so that will leave just two soon).

A Quick Interview with Christopher Moore

I read a review you wrote about Dracula. I haven't read it yet but was surprised you have it as a favourite. It's not a funny book! :)

I started out a horror writer, it's just that people laughed at my horror stories, so I went that way.

Your books overlap from humour to horror, historical and dabble in science fiction/ fantasy - which is your favourite genre to write?

I don't even think about genre because my stuff straddles so many. I do prefer writing historical for a couple of reasons. One, I usually learn something cool in the research, and second there were no cell phones. Cell phones can be a great device to get information between characters, but for suspense they can be a killer, and I'm finding a lot of writers are depending on the "no service" device to keep the suspense heightened. (Last episode of True Detective. Why not call back-up? No cell service.)

Your one liners on Twitter are great. How do you keep fresh inspiration and ideas flowing for your books and Twitter too?

Well, I tend to react to the world in a humorous way by default, so Twitter is easy because I can react to anything in the news, a quote, a meme, anything. Twitter is sort of the natural habitat of the nonsequitur, so if something comes out of left field, it's okay, it will probably work. For a novel, I'm usually reacting to the world that I've created in the book, and usually from the point of view of the characters, so I'm constrained by say, 19th century Paris, so I have to think in that context. There are times, though, when I'm working on a book and I just don't have anything to put on Twitter because I'm in the world of the book. I'm still not sure I know how to do Twitter, right, anyway. Cleverness doesn't necessarily translate to followers. I think I've discovered that people respond better to being nice and insipid than being clever and funny.

I loved the idea of vampires being turned to statues but what I really want to know - Is Abby Normal going to be back soon?

You read all three, right? She's sort of the star of Bite Me. She also has a cameo appearance in the book I'm writing now, the sequel to A Dirty Job.

Sacre Bleu was more than just a fun read. You did a lot of research for that book. I think it must have been tricky to bring famous people from history into life, as characters in your story. How did you decide on their personalities and how far to take them into your fiction?

The thing about the impressionists is we know a lot about them, unlike the characters in Lamb, from 1st Century Palestine, about which we know almost nothing. So you have letters by Cezanne, for instance, both to Bazille, and about Bazille. Renoir's son wrote a biography of him while the artist was still alive, and Renoir comments on the personalities of the artists. Most of the letters, of course, are much more formal than anyone would speak, so I have them being more casual in their speech, and probably more casual than they actually were. Toulouse-Lautrec was the one I really took a lot of liberties with because I needed a character who was naturally funny, but when you see the photos of him, he seems like he was a pretty playful guy. Ultimately, though, I crafted the book around the artists who I thought I would like, personally, like Bazille and Renoir, and I didn't have the ones who didn't resonate as much with me, like Degas and Cezanne, although I think that the latter two were probably the better painters.

I'm looking forward to your new book, Serpent of Venice. But, I'm partial to Pine Cove because I began reading your books with The Stupidest Angel. I've read them in backwards order, finished reading Practical Demonkeeping this Spring and read the Lust Lizard last year. Are the people of Pine Cove going to survive the next monster you drop in on them?

I really don' t have any plans to go back to Pine Cove. When I was writing those books I lived in a little coastal town in California that sort of mirrored Pine Cove, but I left there in 2003 and since then my "go to" location has been San Francisco. I just don't have new observations about a small town I could put in a new book.

I read Frankenstein this year and began short stories by H.P. Lovecraft over the summer. Do the horror classics inspire you and which (if any) are your favourites?

I read those when I was coming up, in my teens, and with both of those, Frankenstein and the Lovecraft stories, you have to take them as products of their time. The stories and mood of Lovecraft stick with you, the feeling of dread, but his writing was very formal and sort of dense, I think largely because he was getting paid by the word, but also because of the 19th century stories that inspired him. So you learn very early on that you can't and shouldn't write like Lovecraft. Shelly is similar. She was brilliant, sort of beyond of my ability to comprehend of someone who was 19 year old, but she was of her time. Frankenstein is extraordinary in many ways, but I think I knew by the time I was 17 that I'd never be able to write that way and make a living, and that's what I wanted to do. So yes, you HAVE to read those classics. You have to know what has come before. (What T.S. Eliot calls "the poetic tradition") Otherwise you're going to do something that was done better a hundred years ago and you may not even put a good spin on it. There used to be a running joke among sci-fi writers that everyone, at some point, would write a "the star was a spaceship and Jesus was an alien" story and think they were the first one to have the idea. (I know I did.) If you don't know that's a non-starter, you just pile on. You read that stuff and you take what you can from it. You'll go back years later, after you know more, and Frankenstein will be a new book.

I wrote a story or two imitating Lovecraft and Poe in my teens and they were terrible, but that said, The Serpent of Venice is partly based on an Edgar Allan Poe story, so having read those classics have served me pretty well. I could probably do with a refresher read on a lot of them.

Why I'm a Fan of Christopher Moore's Books He writes horror, fantasy, and humour all some how rolled up into one winding yet believable story. The key is, believable. No matter what he writes about: vampires, monsters, drug dealers, serial killers, or ageing porn stars - the stories will keep you reading more and laughing along with him.