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Paleofuture - Matt Novak

Paleofuture is written and edited by Matt Novak—100% human-created content without the assistance of artificial intelligence.

Where we explore past visions of the future. From flying cars and jetpacks to utopias and dystopias.

The blog was formerly at Smithsonian (2011-2013) and most recently at Gizmodo (2013-2020). Matt has written for BBC Future, Vox, Pacific Standard, Slate, The Verge, GOOD, Wall Street Journal, TheAtlantic.com, Forbes.com, and Buzzfeed.

Matt has delivered talks at South by Southwest, dConstruct in Brighton, UK, The Conference in Malmo, Sweden, UCLA's Digital Cash conference, and the University of Virginia's edUi conference. In 2012, he partnered with the BBC to put on an exhibit of retro-futuristic items from his personal collection in Hollywood.

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Online and Underground - Janelle Brown

Last time I looked I could not find this post on Salon. I looked again today, and found it. Here is the link, as of today. Online and underground Originally posted January 16, 2001, by Janelle Brown. I think I even found a website for her, I couldn't years ago. I've included the original links but excluded the broken links. This article is about the New York and Detroit area and the explorers around that time. Of course, urban exploration wasn't new then. It was just quieter and didn't have a recognized name.

Thanks to the Web, the sport of infiltration - creeping through abandoned buildings and unused subway tunnels - is thriving as never before.

Julia Solis throws dinner parties in the subway tunnels of New York. Wearing period costumes, her guests dine on vegetarian cuisine while high-speed trains clatter by an arm’s breadth away. She invites friends to join her for games in the dark damp tunnels beneath abandoned lunatic asylums; she browses crumbling shuttered hospitals and reads the patient records that have been moldering there forgotten for decades.

L.B. Deyo likes to climb the Brooklyn Bridge in the middle of the night. He uses the bright wash of floodlights to see as he hauls himself up the support cables, hanging onto the guide wires of the suspension bridge for dear life until he reaches the top of the towers. The cars below pass oblivious to the spectacle above them: In New York, Deyo says, most people simply never look up.

Solis and Deyo are part of a growing movement of urban explorers, adventurers who go where they are not supposed to be and document their experiences online. Call it “off-limits tourism” or “infiltration.” It’s not exactly breaking and entering but, rather, visiting boarded-up ruins and underground steam tunnels and the roofs of forbidden buildings. At Solis’ Dark Passage webzine or Deyo’s Jinx Magazine, and dozens of Web sites such as Infiltration, Urban Explorers Network and Forgotten New York, these explorers are visiting places most of us will never see, and recording it so the future won’t forget.

The term “infiltration” encapsulates a whole range of activities ranging from the merely archaeological to the outright dangerous. Climbing through the broken window of an abandoned orphanage may not seem to have much in common with climbing to the top of the Brooklyn Bridge, but the two activities do share a common ideology. “The whole idea is to look at a sign or an area that’s obviously off-limits, where you’re not supposed to go, and ask, ‘What exactly is it that’s keeping me out?’” explains Deyo. “We don’t break locks or bolts or climb over fences; what we’re really overcoming is imaginary barriers that are just understood but barely questioned.”

Infiltration is in no way a new concept — after all, who hasn’t clambered through an abandoned building, ducked under a fence to explore or slipped behind a barrier to see what’s there? In the ’60s and ’70s groups like the San Francisco Suicide Club began to codify the modern movement with organized guerrilla adventure groups. But in recent years, thanks in part to the community powers of the Web, the infiltration movement has grown in strength. It’s no longer a solitary pursuit; instead, you can join mailing lists, Usenet groups, countless webzines or even the Urban Exploration Web ring to swap tips, scout out good locations and meet fellow explorers. “I don’t think there could have been an urban exploration movement as there is now without the Web,” says Deyo. “It’s a good case study of what the Web can do sociologically; people all over the world send e-mails each and every day. We’ve even heard from someone who explored a nuclear submarine base in Russia.”

Although adventurers hail from any land in which abandoned buildings or underground tunnels can be found, there are particularly strong outposts in France (especially the Paris catacombs), Australia (thanks to its adventurous culture), Detroit (with a crumbling downtown full of abandoned buildings) and the East Coast of the United States. If you live in New York, you can join the Jinx Athenaeum Society, which holds monthly meetings promoting urban adventure, or participate in Solis’ Dark Passage infiltration parties.

Most infiltrators have been lifelong adventurers, but for many the first real step into the explorer underground is by going literally under the earth, into campus steam tunnels. Most campuses have extensive underground routes for Ethernet wiring and steam and water pipes. Despite the heat and cramped quarters, the pipes are big enough to host the curious students who climb through open grates to see what’s inside. On some campuses, such as Cal Tech, exploring the steam tunnels has become such an undergrad tradition that authorities turn a blind eye, also ignoring the poetry and artwork that students leave behind to mark their stays. (Wondering if your campus has steam tunnels and how to go about getting in? The <href="http: www.urbanexplorers.net="" "="" target="new">Urban Explorers Network compiles information about as many campuses as it can.) </href="http:>

“It’s kind of like punk rock — you’re into something not a lot of people are into,” says one student enrolled at Virginia Tech. He was initiated to the steam tunnels by an insider during his freshman year, and has since visited his campus library for maps and historical context; his Web site offers diaries and photos as well as advice to fellow students, although he keeps his name secret to avoid campus authorities. “It’s one of those weird paradoxes,” he says. “We want to be our own underground thing and yet we also want to brag about it and help others so they don’t get hurt or busted.”

Exploration of campus tunnels is a kind of gateway drug that leads infiltrators to more extensive tunnel networks — say, the New York subway system, which boasts level after level of abandoned yet oddly clean tunnels lit by eerie blue lights. Tunnels are probably the most common destination, since nearly every urban area is riddled with them. But Jinx’s Deyo and his co-editor, David Leibowitz, who began their magazine in 1996, pursue more lofty goals: Our “area of specialty among urban explorers is heights — a lot of groups like to go into the sewers and storm drains, but we really like to go onto rooftops and tops of bridges. I’ve always loved heights, getting that vantage point on the city that most people never get, having the whole city at your feet.” He prefers places like the Brooklyn Bridge and the rooftop of Grand Central Station, which have an “aesthetic tug … a certain epic quality.”

Infiltration is undoubtedly dangerous — there are always the very real risks of stumbling onto a live rail in a subway tunnel, falling off the top of a bridge or getting crushed under falling debris in a crumbling building. And there is the risk of getting caught, although most explorers I spoke with seemed relatively unconcerned about authorities. Of those I spoke to, only a few had been caught, and only Deyo had ever gotten in trouble. As a juvenile, he and Liebowitz climbed onto the roof of Grand Central Station and were immediately spied and apprehended — but even then Deyo merely got a ticket. “This is New York City and the cops have other concerns than some people who are basically participating in a minor victimless crime,” he shrugs.

Urban explorers admit that the appeal of infiltration is often about the thrill of being somewhere you are not supposed to be — or, as Solis puts it, of “confronting your fears, going into spaces that are dangerous and very creepy.” But despite the adrenaline rushes, many explorers say that it is also the poetry of this pursuit that draws them in.

Solis, for example, first began adventuring when she was a child in Hamburg, Germany, but it wasn’t until a few years ago that she started feeling compelled to document her explorations. She goes exploring several times a month and throws Dark Passage events — often based on a historical novel or film — in which she guides groups into forbidden places. Solis sees herself as “a little bit of an archaeologist, a little bit of a historian.” She specializes in the numerous abandoned lunatic asylums and hospitals that dot the Northeast, gothic monstrosities still cluttered with abandoned equipment, letters, furniture and records. “You are finding artifacts from a whole different way of life that you never would normally see,” she says. “I find file cabinets full of records and look at documents and try to figure out what went on in a place, reconstruct a story.”

The destinations are often doomed buildings on the brink of being demolished; many infiltrators feel driven to make a written or photographic record of historical places that will soon be lost forever. Photographer Shaun O’Boyle, whose Modern Ruins Web site is full of stunningly evocative images of abandoned hospitals, shipyards and factories, believes that “ruined buildings have an interest that goes beyond any interest that building may have had when it was occupied. It has become abandoned space; it no longer functions as it was designed to. The building is no longer sheltering anyone. The slow crumbling and decay make it less and less like architecture and more and more like shapes and forms, masses and planes for their own sake, much like sculpture.”

The infiltrators are not preservationists, however; rather, they are observers and chroniclers. Kevin Walsh, a 43-year-old copywriter for Macy’s, maintains the Forgotten New York site to document the smaller lost detritus of his lifelong home: lampposts, moldering signs and forgotten alleys that once were thriving roadways. It’s a trove of unnoticed ephemera: doorways in subway stations that lead nowhere, weed-encrusted station houses on the abandoned Rockaway rail line, long-forgotten sidewalk art. “I want to get there before the city notices that they are there and gets rid of them,” he says. “That’s why they’re still there, because people don’t notice them.”

Many infiltrators shy away from press coverage — such as Ninjalicious, the infamous founder of Infiltration.org and one of the movement’s heroes — for fear of trouble with authorities or encouraging too many newbies. But those like Solis and Deyo want to convey the message that the movement isn’t about crazy kids breaking, entering and vandalizing; after all, only a certain kind of person would dare to venture into the blackened basement of an abandoned lunatic asylum and brave the invisible ghosts simply to observe and understand.

Perhaps that person is just a little bit crazy, but the urban explorers have a unique perspective on the places around them. Consider them the secret keepers of the cities, above and below the ground. As Deyo puts it, “People have their own lives to lead and don’t feel much of a need to look up at architecture, which is a shame and is part of the reason why we’re doing it — it forces us, if no one else, to view the city as more than just a milieu for the mundane aspects of our lives, a place to work and live. It’s also an environment, and like any environment it can be explored.”

Janelle Brown is a contributing writer for Salon.

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Riddle Poems

This is all quoted/ saved from Eric S. Raymond's Home Page. The site fails to load but then if you leave it, does load on the second try. I've linked to the web page the riddle poems are on at the bottom of this post. The entire post has much more information, ideas, even challenges and history.

We know of many cultures that have riddle-poem traditions. The best-documented, and the one we'll be taking our model from, is the riddle-poem tradition of the Anglo-Saxons, the Vikings, and the Teutons. These peoples of the Dark Ages played the riddle-game around their hearth-fires for more than five hundred years. Some of their riddles have come down to us.

Basic Riddle-Poem Construction

Here's an example of a riddle-poem in modern English in very traditional style and subject:

Riddle: A hoard of rings am I, but no fit gift for a bride; I await a sword's kiss.

Answer: A suit of chain-mail.

Note that it doesn't rhyme. Rhyme is nice in a riddle-poem, but strong rhythm (what poets call good scansion) is better. Actually, traditional riddle-poems hardly employed rhyme for structure at all; they used an elaborate set of stress rules and a technique called alliteration which we'll describe later on.

Rhythm speech rhythm is all-important. In composing riddle-poems that sound good, a bit of role-playing helps. When you're working on one, try to imagine yourself chanting it to a hall-full of drunken Vikings. Do they pound the tables and roar? Do they laugh? Or do they just plain not get it?

How to Make a Riddle-Poem

Work backwards. First, pick your answer. Then, imagine it speaking to you; describing itself, telling you what it does. Then make that into a little poem.

As I was thinking about the last paragraph, my eyes lit on the telephone beside my keyboard. I decided to make a riddle-poem for which telephone is the answer.

So I imagine the phone speaking to me. It says I carry the voices of people over many miles. That's a good start, but it's not specific enough; it could apply to a radio as well.

What distinguishes a phone from a radio? Wires. But if I mention wires directly, the riddle will be too obvious. So I think instead about what a phone looks like, analogizing it to a body. And I have it:

Riddle: One ear, one mouth, no legs, But I will carry your voice a thousand miles.

This is pretty nice. But the scansion in the second line is not quite right.

_  /  _    /  _   _    /   _   /  _    /

But I will carry your voice a thousand miles.

This is close to iambic pentameter. It could be improved by a one-syllable verb replacement for carry. There are lots of possibilities; take, waft, send, bear. I like bear for its archaic sound. And so we have it:

/   /       /    /        /   /

One ear, || one mouth, || no legs, _ / _ / _ / _ / _ / But I || will bear || your voice || a thou- || sand miles.

This is an easy riddle, but the construction worked well. In general, these are the steps you'll usually go through:

  1. Pick a subject.
  2. Imagine the subject speaking to you.
  3. If that doesn't work, analogize the subject to a body or creature.
  4. Adjust the description to the level of difficulty you want.
  5. For best poetic effect, fix the scansion in the result.

Source: Riddle-Poems, and How to Make Them

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Is the Smart TV Telling You What to Think?

The first time I thought about this, I had a much better description half written in my head. But, I didn't get here to post it until a few days later. So I've lost some of my train of thought. This is the best I could do today, with what I remember.

I've noticed, if I leave the TV (Smart TV) on after awhile it will ask if I'm still watching whatever it is. This isn't to save energy/ power. The power is still on. It is to make sure you are there to watch, or at least hear, the ads.

I've been wondering if anyone would notice if their Smart TV, or other screens, could do more than that. I think it could. Do you have one of those Alexa type things? I've tried to avoid them. If you can ask Alexa to turn down the lights, turn on the radio, and so on. It has to know several things and be connected to what you are doing and who you are. People have written/ talked about those digital home invaders, but have they thought about how far it could go? Now with AI too. I don't know how much AI can do but it is intended to mimic and predict people.

To some people this will sound silly, like a crackpot theory. When I think about it, mainly its just interesting.

Next time you have the Smart TV on, take note. Does it know when you stop watching TV? I have had the TV on and noticed that it sometimes stops working right at the time it breaks for ads - if I'm out of the room. It goes to that blank, black loading screen awhile and then says there is an error.

When I come back, if I do, it always runs several ads before restarting the show which it couldn't find before. Of course, it runs ads first. Advertising is the point of the whole thing for the businesses. But, does it lie (or whatever word you would use for digital/ virtual/ software that fibs).

I have no doubt the technology is there to keep track of what we watch and if we actually are watching at the time. Can it listen to what we do when we leave the room? Sure, it sounds like not much to think of, how many times you go for snacks, go to the bathroom, fall asleep. But, its all information about you. It can all be used to understand you, predict you, and scrape money out of you.

Kind of interesting. I'm not sure about the Smart TV tracking if I'm watching or not. It doesn't happen every time. It doesn't happen with every streaming service. I suspect some can't afford the extra software to make it work. Yet.

What I've been wondering about more since then, is what does the Smart TV do as far as subliminal messages. Banned in the 1970's (I think that was the right decade) I don't think anyone is watching for it now. Business controls government more now. As much as religion was once the big influencer. That does creep me out more. We look at so many screens now and there are no controls over what marketers can do. Not really. Not enough.

When your TV or other screen is in sleep mode and showing random images, screensavers, is that all that is there? It is a very useful marketing scheme, if it exists. The idea is not new. Can all this Smart technology not just watch you but also tell you what to think, what to believe, and of course, what to buy?

One more little technology/ marketing thing to consider.

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Growing Food to Feed Everyone

People say we grow enough food to feed everyone. Assorted reasons why it doesn't reach the people it could feed. But, that's just now.

Over population is still a bigger issue than feeding the people here so far and the distribution of that food. The best farm land is underneath cities because those were the choice places to grow food before they became built up. Now we are crowding out all the natural habitats for animals, losing our ecosystems and importing food from other countries which have all the same problems.

We can still grow food but the good land for growing it is disappearing. Growing food, especially for meat, is expensive and getting more expensive. Plus, whether its plant or animal, it takes a life. Vegetarians and many others think only about animal life. Mainly if it has fur. That's nice, but that's not all life.

Other issues are the pollution it creates. The use of fossil fuels to move it around, often long distances so keeping it from spoiling, rotting, or getting bruised (less than pretty looking) is another issue. Then packaging. Even now with the talk about not using plastic - plastic is still by far the main material used in almost all packaging.

There is far too much food waste. I don't blame anyone. It is hard to avoid having food waste now. Food, plants and meat, are not grown as their native, original ancestors (could not think of a better word) would have been. In order to look nice, be pest and drought and whatever else resistant, they are treated (isn't that a funny word) with chemicals. Did you know turkeys, as they are now, could not survive without people. Wild turkeys, yes. Farm animal turkeys and chickens have such an overgrown breast they could not reproduce. They would just die out. Our vegetables and fruit all have similar issues. Pick one and read about it. Did you know the meat you buy (unless its right from the farmer) has been given red colouring and injected with water to make it weigh more? Marketing schemes are everywhere, including food.

I've read about some science ideas to create food in different ways. There are so many. Plants to seem like meat. Growing a chunk of meat from some cells instead of supporting the life of a whole animal for years. Eating insects or algae. I post about them when I find something new.

I wonder where future people will get their food from? Maybe they can just duplicate the essence of protein, vitamins, minerals and calories we need and put them all into one pill you just take once a week. One thing, people wouldn't still be overweight. At least not because they enjoy eating junky food. No reason to put any flavour of salt, sugar, spice into a food pill. Not meant to be chewed just swallowed.